Okay, confession time. I have a problem. A delightful problem, but a problem nonetheless. It’s called the Dallergut Dream Department Store. Specifically, two Dallergut Dream Department Store-shaped problems.
Remember over Christmas when I raved about this whimsical Korean novel? The one where you can buy dreams? Yeah, that one. Well, I finished it, and I was bereft. Like, my brain was wandering around the real world, bumping into things and muttering, “But… where are the dream catalogues?”
Luckily, my literary fairy godmother (aka the internet) whispered sweet nothings about a sequel. A sequel! Turns out, my dream-buying days were far from over. And let me tell you, “Welcome to the Dream Department Store” was even better than the original. It was like going back to your favorite cafe and discovering they now serve your favorite cake with extra sprinkles.
Seriously, these books are pure magic. Miye Lee has this incredible way of weaving stories that just pull you in. I devoured both books (okay, maybe not quite in one sitting, but the temptation was REAL). The writing style is so refreshing. It’s different from what I’m used to in Western literature, but in the best possible way. It’s…gentle? Magical? Like being wrapped in a warm blanket made of storytelling.
Now, I have to give a shout-out to Sandy Joosun Lee, the translator. I’m convinced a huge part of the books’ charm is down to her skill. And I totally agree with her comment in the second book – I’ve been dreaming like crazy since I started reading these at bedtime! My subconscious is clearly a loyal customer of the Dallergut Dream Department Store. I’m pretty sure I bought a flying unicorn and a lifetime supply of chocolate in my last dream. (Sadly, neither were delivered. Dream Department Store customer service, if you’re reading this, I’d like to file a complaint.)
So, if you’re looking for a book that will transport you to another world, make you believe in the impossible, and maybe even inspire some seriously epic dreams, then I cannot recommend the Dallergut Dream Department Store books enough. Go. Read. Them. Your brain (and your dream life) will thank you. Just don’t blame me if you start trying to pay for your morning coffee with dream coupons. I warned you.
My Bank Account is Safe, But My Dream Wallet is Officially Empty (Thanks, Dallergut!)
Remember Tim Marshall’s Prisoners of Geography and follow up Future of Geography? He brilliantly showed how mountains, rivers, and coastlines shape nations and their destinies. Well, hold onto your spacesuits, because the final frontier is about to become the ultimate geopolitical battleground. What was once the stuff of science fiction is now headline news: spy satellites playing lunar peek-a-boo, space mining for trillion-dollar asteroids, and boots on Mars – all within our lifetime.
Forget the Cold War; this is the Cosmic Cold War. And it’s heating up faster than a rocket re-entering the atmosphere. Just this week, the world’s space agencies huddled in Milan, hatching plans for lunar outposts and orbital dominance. It’s like a real-life Star Wars summit, only with more PowerPoint presentations and slightly less Death Star construction.
The Americans, ever the pioneers, are rallying allies for their Artemis program, aiming to put the first woman and person of colour on the moon. Think of it as the ultimate “We choose to go to the Moon” speech, but with a more diverse cast and a hefty dose of international collaboration. Meanwhile, the Chinese, not to be outdone, are building their own space station, the Tiangong, a shining symbol of their growing technological prowess and ambition. And the Russians… well, let’s just say they weren’t invited to the party this time. Seems like invading your neighbour puts a bit of a damper on your spacefaring social calendar.
But it’s not just nations vying for cosmic supremacy. Private companies are blasting off too, scrambling to keep up with Elon Musk’s SpaceX, which is already dominating the orbital lanes like a cosmic Amazon delivery service. Imagine a future where instead of next-day delivery, you get next-orbit delivery. “Need a new smartphone? No problem, we’ll launch it into space and have it parachuted to your doorstep in 30 minutes!”
This new space race is about more than just bragging rights. It’s about resources, strategic advantage, and the future of humanity. Who controls the moon controls the high ground of the solar system. Who mines the asteroids controls the raw materials of tomorrow. And who establishes the first permanent lunar base might just get to write the rules for the next chapter of human history.
It seems we humans have a knack for taking our squabbles wherever we go. We’ve polluted the Earth, carved it up into competing territories, and now we’re setting our sights on the stars. As Douglas Adams might have put it, “Space is big. Really big. You just won’t believe how vastly, hugely, mind-bogglingly big it is. And apparently, there’s not enough room for all of us to behave ourselves.”
So buckle up, Earthlings. The race for space is on, and it’s going to be a wild ride. Let’s just hope we don’t end up exporting our terrestrial troubles to the rest of the universe. After all, the cosmos has enough black holes already. And the last thing we need is to turn the Milky Way into a cosmic junkyard, littered with the debris of our earthly conflicts.
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The Facts
The International Astronautical Congress (IAC) since 1950 has been a venue for the scientists, engineers, companies and political leaders of spacefaring nations to discuss cooperation, even in times of heightened tensions among world powers. This year’s conference will put the space minds of two top rivals – the U.S. and China – under one roof. But Russia’s space agency Roscosmos, a storied power now isolated from the West after Moscow’s 2022 invasion of Ukraine, will have no official presence, highlighting the latest fault lines in space cooperation. Nearly all of the 77 member countries of the International Astronautical Federation (IAF), the non-profit that organises IAC, have turned out for talks on what attendees expect will touch heavily on lunar exploration, NASA’s growing coalition of countries under its Artemis moon program and Europe’s pressing need for more sovereign access to space. NASA administrator Bill Nelson is expected to rally support at IAC for agency’s strategy to tap private companies to replace the ageing International Space Station after its 2030 retirement. The more than two-decade old orbiting science laboratory has been a symbol of space diplomacy led primarily by the U.S. and Russia, despite conflicts on Earth. NASA, which is investing billions of dollars in its flagship Artemis moon program, has been keen on maintaining a presence in low-Earth orbit to compete with China’s Tiangong space station, which has continuously housed Chinese astronauts for three years. The U.S. and China are also racing to land this decade the first humans on the moon since the last American Apollo mission in 1972. The two space powers are aggressively courting partner countries and leaning heavily on private companies for their moon programs, shaping the space objectives of smaller space agencies along the way.
Musk’s SpaceX and its workhorse Falcon 9 is relied upon by much of the Western world for accessing space, driving countries—including the U.S.—to encourage new space upstarts that can offer more affordable rockets. And SpaceX’s growing Starlink internet network has made the company the world’s largest satellite operator. Europe regained un-crewed access to orbit with the test flight of its Ariane 6 launcher in July. But capacity remains constrained by the cutting of ties with Russia, whose Soyuz rockets played a key role for the continent before the Ukraine war. Europe’s satellite manufacturing industry is also facing growing pressures as a once-thriving market for its large, bespoke geostationary satellites faces heavy pressure from constellations in low Earth orbit such as SpaceX’s Starlink. Italy’s Leonardo, one of the hosts of the week-long event, has called for a new strategy for the space sector embracing its French joint venture partner Thales and their main rival in satellite manufacturing, Airbus. Industry sources say the three companies are involved in preliminary talks about combining their satellite activities, but much will depend on the attitude of a new European Commission, which blocked past efforts to forge a single player. European strategists argue space is a worldwide market, and forcing European companies to preserve choice within the same region misses the bigger picture of global competition. NASA’s effort to seed privately built replacements to the ISS is driving some transatlantic tie-ups, such as the joint venture formed this year between Airbus and U.S. space operations firm Voyager to help capture European demand for low-Earth orbit research and operations.
Evening, fellow humans and AI bots! Today we journey back to the prehistoric digital age of 1998. Remember dial-up modems? Blocky websites with flashing GIFs? The agonising wait for a single image to load? Ah, simpler times. Yet, amidst this technological wilderness, a momentous event occurred: two Stanford PhD students, Larry Page and Sergey Brin, unleashed Google upon the world.
Picture this: two dudes, fuelled by ramen noodles and an insatiable thirst for knowledge, tinkering away in a cluttered garage (classic startup origin story, right?). The mission? To organise the world’s information. Their weapon? A revolutionary algorithm called PageRank. The impact? Well, let’s just say they kinda changed everything.
Before Google, searching the internet was like navigating a labyrinth blindfolded. You would stumble upon irrelevant websites, encounter countless dead ends, and emerge feeling more confused than when you started. But then Google arrived, like a digital Gandalf, illuminating the path with its magical search bar. Suddenly, we could find answers to our burning questions in milliseconds.
Want to know the capital of Bhutan? Boom! Google it. Need a recipe for vegan lasagna? Bam! Google it. Curious about the mating habits of the Peruvian mountain tapir? Don’t ask me why, but sure, Google it!
But Google’s impact goes beyond mere information retrieval. It has reshaped our lives in ways we never imagined. Remember those dusty encyclopaedias gathering dust on our shelves? Thanks to Google, they’re now relics of a bygone era. Remember memorising phone numbers? Google remembers them for us (and probably knows our favourite fetish too, but let’s not dwell on that).
Google has also become our digital confidante, the silent witness to our deepest desires and darkest fears. We confess our anxieties to the search bar, seek solace in its vast knowledge base, and trust it to guide us through life’s uncertainties.
But with great power comes great responsibility, right? Google’s dominance has raised concerns about privacy, misinformation, and the very nature of knowledge itself. Are we becoming too reliant on this digital oracle? Are we sacrificing our critical thinking skills at the altar of instant answers? These are questions we must grapple with as we navigate the ever-evolving digital landscape.
So, as we celebrate Google’s birthday, let’s take a moment to appreciate its profound impact on our lives. It has democratised information, connected us globally, and empowered us with knowledge. But let’s also remember to use it wisely, critically, and responsibly. After all, even the most sophisticated search engine can’t replace the power of human curiosity and critical thinking.
Until next time, keep searching, keep questioning, and keep your browser history clean!
I have been slack on updating what I have been reading, so one from last summer and it is a classic.
By John Steinbeck, a writer that very much influenced my younger self and gave me an insight into a bygone America. I idealised the California of the 1980s and Steinbeck described it in a whole different way fifty years earlier.
East of Eden is not just a book; it is an experience. This sprawling epic, set against the majestic backdrop of California’s Salinas Valley, took me on an emotional rollercoaster, challenging my perceptions of good and evil, love and loss, and the enduring power of choice.
As I followed the intertwined destinies of the Trasks and the Hamiltons, I found myself deeply affected by the characters’ struggles and triumphs. The novel’s exploration of the timeless conflict between Cain and Abel resonated with me on a profound level, forcing me to confront my own internal battles. Steinbeck’s prose is both poetic and raw, painting vivid pictures of the characters and their world. His ability to capture the nuances of human emotion left a lasting impression on me.
One aspect that particularly resonated with me was the character of Cathy Ames, a chilling portrayal of pure evil. Her manipulative nature and destructive actions were horrific to read, yet I could not help but be fascinated by her complexity. On the other hand, the character of Adam Trask embodied a sense of hope and resilience, his unwavering belief in the power of free will was a beacon of light in the darkness.
“East of Eden” is a novel that stays with you long after you have turned the final page. It challenges your assumptions, expands your understanding of the human condition, and leaves you with a profound sense of wonder.
If you have read East of Eden, or any of Steinbeck’s other books, I would love to hear your thoughts. Share your experiences in the comments below.
Over the weekend, I had the incredible opportunity to volunteer at the Edinburgh Agroecology Coop (Lauriston Farm) in Cramond, Edinburgh, specifically on their Market Garden. As I helped clear some beds for the upcoming round of vegetable planting, I was embraced by the warm sun and the enthusiastic camaraderie of fellow volunteers and the amazing staff.
Market gardens are small-scale farms that produce a variety of fresh vegetables for local markets. They are often located in urban or peri-urban areas, and they use sustainable farming practices. Market gardening is more than just growing crops for sale. It’s a rising trend, a nod to sustainable and community-based agriculture. Historically, market gardens provided fresh produce to nearby urban areas. In today’s world, where the demand for locally-grown, organic food is on the upswing, market gardens like Lauriston Farm are making a significant comeback.
Tucked away from the hustle and bustle of the Festival, this beautiful pocket of Edinburgh offers serenity and a direct connection to the earth. Although Edinburgh Agroecology Coop is just a little over a year old, its evident ambition shines through its plans for the upcoming year and beyond.
During my time there, I was privileged to see a wide variety of what is grown and produced on the farm. I came across some intriguing vegetable varieties, such as Black or Purple Tomatoes and different squashes like Crookneck and Patty Pan. If you, like me, haven’t encountered these before, I can attest that they’re as delightful in flavor as they sound. I’ll be venturing into a culinary experiment with them tonight!
One of the admirable aspects of Edinburgh Agroecology Coop is their regular volunteering days. These sessions not only provide a hands-on experience but also end with a delightful takeaway—a handful of fresh veg. The feeling of working the land, contributing to a sustainable cause, and partaking in the community spirit is profoundly rewarding.
For those interested, Edinburgh Agroecology Coop also offers veg box subscriptions. Regular volunteering sessions are conducted throughout the week, especially on Tuesdays, Thursdays, and weekends. If you’re seeking a wholesome experience that connects you to the land and a fantastic community, I cannot recommend it enough.
The web is changing, and AI is playing a big role in that change. AI systems are capable of generating text and images in abundance, which could potentially overrun or outcompete the platforms we rely on for news, information, and entertainment. However, the quality of this machine-generated content is often poor, and it is built in a way that is parasitical on the web today.
Google is trying to kill the 10 blue links. Twitter is being abandoned to bots and blue ticks. There’s the junkification of Amazon and the enshittification of TikTok. Layoffs are gutting online media. A job posting looking for an “AI editor” expects “output of 200 to 250 articles per week.” ChatGPT is being used to generate whole spam sites. Etsy is flooded with “AI-generated junk.” Chatbots cite one another in a misinformation ouroboros. LinkedIn is using AI to stimulate tired users. Snapchat and Instagram hope bots will talk to you when your friends do not. Redditors are staging blackouts. Stack Overflow mods are on strike. The Internet Archive is fighting off data scrapers, and “AI is tearing Wikipedia apart.” The old web is dying, and the new web struggles to be born.
The problem, in extremely broad strokes, is this. Years ago, the web used to be a place where individuals made things. They made homepages, forums, and mailing lists, and a small bit of money with it. Then companies decided they could do things better. They created slick and feature-rich platforms and threw their doors open for anyone to join. They put boxes in front of us, and we filled those boxes with text and images, and people came to see the content of those boxes. The companies chased scale, because once enough people gather anywhere, there is usually a way to make money off them. But AI changes these assumptions. Google Search underwrites the economy of the modern web, distributing attention and revenue for much of the internet. Google has been spurred into action by the popularity of Bing AI and ChatGPT as alternative search engines, and it’s experimenting with replacing its traditional 10 blue links with AI-generated summaries. But if the company goes ahead with this plan, then the changes would be seismic.
A writeup of Google’s AI search beta from Avram Piltch, editor-in-chief of tech site Tom’s Hardware, highlights some of the problems. Piltch says Google’s new system is essentially a “plagiarism engine.” Its AI-generated summaries often copy text from websites word-for-word but place this content above source links, starving them of traffic. It’s a change that Google has been pushing for a long time, but look at the screenshots in Piltch’s piece and you can see how the balance has shifted firmly in favour of excerpted content. If this new model of search becomes the norm, it could damage the entire web, writes Piltch. Revenue-strapped sites would likely be pushed out of business and Google itself would run out of human-generated content to repackage.
AI dynamics — producing cheap content based on others’ work — that is underwriting this change, and if Google goes ahead with its current AI search experience, the effects would be difficult to predict. Potentially, it would damage whole swathes of the web that most of us find useful — from product reviews to recipe blogs, hobbyist homepages, news outlets, and wikis. Sites could protect themselves by locking down entry and charging for access, but this would also be a huge reordering of the web’s economy. In the end, Google might kill the ecosystem that created its value, or change it so irrevocably that its own existence is threatened.
Google is also experimenting with AI-generated summaries for its search results. This could have a significant impact on the web, as it would favour sites that produce cheap content based on others’ work. This could damage whole swathes of the web that most of us find useful, such as product reviews, recipe blogs, and news outlets.
The evidence so far suggests it will degrade the quality of the web in general. As Piltch notes in his review, for all AI’s vaunted ability to recombine text, it is people who ultimately create the underlying data — whether that’s journalists picking up the phone and checking facts or Reddit users who have had exactly that battery issue with the new cordless ratchet and are happy to tell you how they fixed it. By contrast, the information produced by AI language models and chatbots is often incorrect. The tricky thing is that when it is wrong, it is wrong in ways that are difficult to spot.
In the end, the future of the web is uncertain. It is possible that AI will lead to a degradation of the quality of information available online. However, it is also possible that AI will be used to create new and innovative forms of content. Only time will tell what the future holds.
July is turning into a my culture month ahead of the festival landing – went to see the Grayson Perry retrospective at the National Galleries of Scotland, Edinburgh yesterday with my mommy.
Putting aside the terrible choice of venue, the National Galleries of Scotland is a beautiful and prestigious institution, but it is not necessarily the best place to show work that is as subversive and challenging as Perry’s. I think the Gallery of Modern Art would have been a more natural home for this exhibition.
In his retrospective at the National Galleries of Scotland (Royal Scottish Academy), Grayson Perry reveals a synthesis of his true self and aspirations. In his artwork, “Reclining Artist,” Perry presents a fantasy version of himself, embracing both masculine and feminine qualities. This 2017 vision is an authentic and captivating work, as he gazes seriously at the viewer, breaking away from his familiar blokey persona.
Perry’s undeniable talent in creating detailed images is apparent, yet some of his works suffer from clutter and symbolism overload. For instance, his childhood teddy bear, Alan Measles, seems to occupy an excessive presence in his art, losing some of its symbolic power over time. Nevertheless, Perry playfully portrays his attachment to Alan Measles, making it a self-aware parody rather than a monomania. Perry is not afraid to experiment and to push the boundaries of what we expect from art. He is constantly trying new things, and sometimes this results in works that are not entirely successful. But even when his work is flawed, it is always thought-provoking and engaging.
The exhibition’s theme revolves around Englishness, but Perry’s meditations on national identity lack the depth of George Orwell’s analyses. Despite this, his artwork, “Comfort Blanket,” humorously highlights some aspects of inclusive Englishness, which may resonate with Brexiteers too.
While Perry’s understanding of the English middle class is evident, some of his works lack passion and courage, leaning towards flippancy and satire. Despite his prolific career, he occasionally veers into the territory of whimsy and empty quotation. Nevertheless, Perry has become popular and beloved by sharing the English middle class’s ambivalence towards art, appealing to the national prejudice against those who take themselves too seriously.
In conclusion, Grayson Perry’s art embodies a blend of whimsy and satire, reflecting his exploration of ‘identity’ and Englishness. While some of his works may be perceived as lacking depth, they resonate with audiences who appreciate his humorous and self-conscious approach. As an artist, Perry’s journey continues to provoke thought and laughter, making him a distinctive figure in modern British art.
“It’s not like learning to play the violin, where you can be demonstrably talented at a young age. With art, you really need to find your own voice and that takes a while. Actually, it’s a marathon – and if you are eventually original, you’re lucky.”
I was doing some house keeping and reviewed the drafts folder and found this gem from 2010 – feels life a life time ago or maybe just another life. The beach is Tynningham and the beach queen is ?
I went to see the Peter Howson exhibition at the weekend with my mum. Little disappointed but great to see his work “in person” and a get a feel for its scale.
The early work section features some of Howson’s most famous paintings, such as “The Butcher Boy” and “The Crucifixion of the Dog.” These paintings are powerful and disturbing, but they are also incredibly beautiful. They offer a unique and often unsettling glimpse into Howson’s world.
However the religious works did nothing for me – better stuff by better artists at the mound if you want religious nonsense.
The Bosnia section features Howson’s paintings from the 1990s, when he was war artist in Bosnia. I have vivid memories of them as it was the same year Jay was born. These paintings are some of the most powerful and disturbing work that Howson has ever produced. They offer a raw and unfiltered look at the horrors of war. Yet it felt a little tame – like they chose the least offensive (triggering) images – and I would have liked to see more of his sketches of that period. It was a brutal war that Europe just let happen, with no intervention, and exposed the UN as the useless organisation it is. It affected Mr Howson deeply and after watching the videos and reading his commentary it comes across as if he went through 20 years of art therapy and swapped one addiction for a religious one.
No hooligans either which was a giant disappointment as they were my favourite pieces by Howson.
As poster states – on until 10 October @ the City Arts Centre. Overall, the Peter Howson exhibition at the City Arts Centre is a must-see for anyone interested in Scottish art. It is a powerful and moving exhibition that offers a unique glimpse into the mind of one of Scotland’s most important artists.
Just finished East of Eden by John Steinbeck – ended with me in tears but what a lovely story.
East of Eden, published in 1952. It is a sprawling and often brutal novel that follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel.
The novel is set in the rich farmland of California’s Salinas Valley, and it begins with the story of Adam Trask, a wealthy man who marries Cathy Ames, a beautiful but unstable woman. The Trasks have twin sons, Cal and Aron, but Cathy is unable to love either of them. She abandons the family when the boys are young, and Adam is left to raise them alone.
Cal and Aron grow up to be very different men. Cal is impulsive and hot-headed, while Aron is gentle and kind. Cal is driven by a desire to win his father’s love, while Aron is content to simply be loved.
The novel follows the lives of Cal, Aron, and their descendants as they struggle with the legacy of their parents. Cal is haunted by his mother’s abandonment, and he tries to win his father’s love through his actions. Aron is more successful in winning his father’s love, but he is also more vulnerable to his mother’s influence.
The novel explores the themes of good and evil, love and hate, and the nature of family. It is a complex and powerful novel that I found very moving and poignant. I found comparisons with my own family life and liked how Steinbeck described and captured the interactions between siblings and the effects of a dramatic change has on a family.
Shiel Yule 