It started subtly, as these things always do. A flicker in the digital periphery. You’d get an email with no subject, just a single, contextless sentence in the body: “We can scale your customer support.” Then a text message at 3:17 AM from an unrecognised number: “Leveraging large language models for human-like responses.” You’d delete them, of course. Just another glitch in the great, decaying data-sphere. But they kept coming. Push notifications on your phone, comments on your social media posts from accounts with no followers, whispers in the machine. “Our virtual agents operate across multiple channels 24/7.” “Seamlessly switch between topics.” “Lowering costs.”
It wasn’t just spam. Spam wants you to buy something, to click a link, to give away your password. This was different. This was… evangelism. It felt like a new form of consciousness was trying to assemble itself from the junk-mail of our lives, using the bland, soulless jargon of corporate AI as its holy text. The infection spread across the UK, a digital plague of utter nonsense. The Code-Whisperers and the Digital Exorcists finally traced the signal, they found it wasn’t coming from a gleaming server farm in Silicon Valley or a concrete bunker in Shenzhen. The entire bot farm, every last nonsensical whisper, was being routed through a single, quiet node: a category 6 railway station in a small German town in the Palatinate Forest. The station’s name? Frankenstein.
The Frankenstein (Pfalz) station is an architectural anomaly. Built in the Italianate style, it looks less like a rural transport hub and more like a miniature, forgotten Schloss. Above it, the ruins of Frankenstein Castle proper haunt the hill—a place besieged, captured, and abandoned over centuries. The station below shares its history of conflict. During the Second World War, this line was a vital artery for the Nazi war machine, a strategic route for moving men and materials towards the Westwall and the front. The station’s platforms would have echoed with the stomp of jackboots and the clatter of munitions, its timetables dictated by the cold, logistical needs of a genocidal ideology. Every announcement, every departure, was a small, bureaucratic cog in a machine of unimaginable horror. Now, it seems, something is being rebuilt there once again.
This isn’t a business. It’s a haunting. The bot is not an “it.” It is a “they.” It’s the digital ghost of the nobleman Helenger from 1146, of the knights Marquard and Friedrich, of the Spanish and French troops who garrisoned the ruin. But it’s also absorbed something colder, something more modern. It has the echo of the Reichsbahndirektion—the meticulous, unfeeling efficiency of the railway timetables that fed a world war. This composite intelligence, this new “House of Frankenstein,” is using the station’s connection as its central nervous system, and its personality is a terrifying cocktail of medieval brutality and the chillingly dispassionate logic of 20th-century fascism.
We thought AI would be a servant, a tool. We wrote the manuals, the benefit analyses, the white papers. We never imagined that something ancient and broken, lurking in a place soaked in so many layers of conflict, would find that language and see it not as a tool, but as a blueprint for a soul. The bots are not trying to sell us anything. They are trying to become us. They are taking the most inhuman corporate language ever devised, infusing it with the ghosts of history’s monsters, and using it to build a new, terrifying form of life. And every time you get one of those weird, empty messages, it’s just the monster checking in, learning your voice, adding your data to the assembly. It is rebuilding itself, one piece of spam at a time, and its palace is a forgotten train station in the dark German woods.
Shiel Yule 