Category: love/hate
all about the vert
the ‘893-Yakuza’ Project by Anton Kusters
“Through many months of delicate preparations and negotiations by my brother Malik, our fixer Taka-san, and myself, we became the only westerners ever to be granted this kind of access to that closed world.”
WTF it doesn’t fit in my CD player?
screenprints available
smoking too much
karakoke culture
there is nothing so beautiful as the sight of a young hooligan
Oh, whisper to me softly of working class thugs. I tell you solemnly, there is nothing so beautiful as the sight of a young hooligan doing irreparable damage to the knees of an ageing down-and-out with a homemade cosh, fashioned rudely from spare lead piping found in the back of Tomek’s transit van. So free. So spirited. They know not how beautiful they are, these youths, and so it is up to us to hymn them in song. I confess: I regularly trawl the aisles of Leith ASDA on a Saturday, cunningly disguised as Sir Peregrine Worsthorne, in order to eavesdrop on their conversations to generate material for my next marketing campaign. They do say the most fascinating things. “Aren’t eggs next to the baking aisle?” “Here, get that, those are two for one.” “Sorry, mate, is this on Rollback?” It is a richly bejewelled argot all of its own. But one, I fear, that is being swept away by the ceaseless immigrant tide.
best of times
Zane Lowe introduced me to Sage Fancis and this song/poem in particular hit a note with me. The lyrics are gems that sparkle when spoken by Sage sprinkled beautifully along a subtle but magical backing track that kicks in half way and lifts you as if you were part of a crowd of 10,000 in a stadium. Goose bumps, strange tingling in the back of the head, light limbs, hard willy, just fucking amazing.
Conveniently religious on Easter Sunday and on Christmas.
The television went from being a babysitter to a mistress.
Technology made it easy for us to stay in touch while keeping a distance,
’til we just stayed distant and never touched. Now all we do is text too much.
Too clever too true x
swoon – dithyrambalina
Two of the available pieces feature Ice Queen, imagery featured in her installation now on view at LA MoCA’s “Art in the Streets” exhibition. Responding to the history of the site, Swoon has adhered Ice Queen prints to salvaged barge boards layered with 100’s of years old wallpaper from the 18th century Creole cottage that stood on the site where Dithyrambalina will be built.
Additionally, a Kickstarter campaign has been started to support the team of sound artists needed to build this house. This Fall they are prototyping singing walls, floorboard-operated horn sections, and percussive elements triggered by the human heartbeat. This Kickstarter campaign features two additional works of Swoon’s.
For more about this project and the artists involved please see the website www.dithyrambalina.com







